Dragon Ball Super: Beerus Anime Trailer Showcases Visuals, Raises Questions on Narrative Direction

Mark Rosewater

Head designer for "Magic: The Gathering" and author of long-running insights on game design.

Toei Animation's latest preview for the upcoming 'Dragon Ball Super: Beerus' anime, titled "Super Gekitou," has captivated fans with its stunning visual presentation. The trailer, unveiled at the recent Dragon Ball Games Battle Hour event, demonstrates a significant leap in animation quality, featuring crisp compositing, enhanced fight sequences, and a heightened sense of grandeur. This fresh approach aims to re-engage long-standing fans and attract new viewers, particularly in anticipation of the 'Galactic Patrol' series scheduled for 2027. However, despite the visual upgrades, concerns linger regarding the decision to revisit previously adapted storylines.

The animated series is poised to re-explore narratives from 'Battle of Gods' and 'Resurrection 'F',' which have already been covered in prior 'Dragon Ball Super' installments. A fleeting glimpse of Frieza in a medical pod, regenerating under a luminous green light, hints at his impending return, echoing the events of 'Dragon Ball Z: Resurrection 'F'.' This 2015 cinematic release depicted Frieza's revival and his subsequent endeavor to conquer Earth, a plotline that was later integrated into episodes 15-27 of the main 'Dragon Ball Super' anime. Consequently, the new 'Dragon Ball Super: Beerus' series will mark the third adaptation of this particular story arc, raising questions about the creative direction and the perceived necessity of re-treading familiar ground.

While the original 'Resurrection 'F'' film was lauded for its animation at the time and its capacity to deliver elements cherished by Dragon Ball enthusiasts, its storyline, although predictable, did spark some debate, particularly regarding its ending. The new series presents an opportunity to refine pacing issues and address the animation inconsistencies that plagued both the film and its television adaptation. Nevertheless, the overarching question remains: why opt for refinement when unexplored narrative arcs, such as those involving Moro and Granolah, await animation? The franchise's inclination to revert to established material, despite a wealth of untouched manga content, suggests a cautious, rather than progressive, strategy.

For 'Dragon Ball Super: Beerus' to truly justify its existence, some modifications to the original material appear necessary, especially concerning Frieza's re-emergence. Neither the movie nor the previous anime adaptation fully capitalized on the arc's potential, with animation quality often cited as a recurring drawback. By selectively reworking certain narrative components without compromising the established canon, the new series could offer a more compelling experience. A prime example is the controversial 'deus ex machina' conclusion of 'Resurrection 'F',' where Earth's destruction is reversed by Whis, allowing Goku to deliver the final blow. Addressing such contentious plot points could significantly enhance this segment of the series, although the likelihood of substantial changes remains uncertain.

Should the prevailing strategy involve re-establishing existing narratives before venturing into new territory, the franchise risks becoming entrenched in a cycle of its own past. Although the latest trailer for 'Dragon Ball Super: Beerus' showcases a compelling argument for re-examining the Beerus arc and 'Resurrection 'F'' with superior animation, demonstrating the potential for the series to achieve unprecedented visual quality, the franchise has yet to demonstrate a clear path forward in terms of narrative innovation. The visual splendor is undeniable, yet the strategic direction of its storytelling remains a point of contention among its devoted fanbase.

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